Susan Angelo Directs Shakespeare's 'As You Like It' at A Noise Within in Pasadena, Casting Underway

A Noise Within Theater in Pasadena, California is moving forward with a production of William Shakespeare's As You Like It, with casting currently underway for a run that will span late winter into early spring of 2027. Directed by Susan Angelo and cast by Alison Elliott, the production enters rehearsals on January 5, 2027, with previews opening February 7, previews giving way to an official opening night on February 13, and the run closing March 7, 2027. For actors, directors of understudies, dialect coaches, stage managers, and the full range of theatrical production roles, this is the moment to get on the radar.

Susan Angelo is a longtime artistic figure at A Noise Within, where she has directed and performed across a wide range of classical work over many years with the company. Her deep familiarity with the ANW house style and its resident classical approach means this production will likely reflect the company's signature commitment to text-forward, physically engaged Shakespeare. Actors pursuing this project should expect a rehearsal room that prizes rigor and clarity of language alongside expressive, ensemble-centered work. That Angelo is returning to the director's chair here signals a production with strong institutional support and a clear artistic vision from day one.

Casting director Alison Elliott is handling the talent search, which means agents and actors should be reaching out through proper submission channels now. Elliott's involvement at the casting stage confirms the production is actively building its company, not simply exploring options. For representation looking to submit clients for the full range of roles in this beloved comedy, including Rosalind, Orlando, Touchstone, Jaques, and the broader ensemble, the time to act is now, not closer to the rehearsal start date.

A Noise Within is one of Southern California's most respected classical theater companies, with a reputation built over decades on presenting the works of Shakespeare and other canonical playwrights with professional rigor and genuine artistic ambition. Based in its purpose-built venue in Pasadena, the company operates on a rotating repertory model that attracts serious classical performers and production professionals from across the region. For crew and design talent, working at ANW is considered a significant credit and a genuine creative collaboration, not simply a fill-in engagement. The company's Pasadena home offers a fully equipped professional theatrical facility, and productions here typically draw from the deep well of theater talent based across greater Los Angeles.

Pasadena and the broader Los Angeles basin offer an exceptionally strong talent pool for both performing and production roles in theater. Stage managers, scenic designers, lighting designers, costume designers, sound designers, and props artisans with classical theater experience will find this production well worth pursuing. Given the play's pastoral setting and its demands for period-adjacent or stylized costume and scenic work, the design departments will have meaningful creative work ahead of them. Shakespeare's comedy, with its cross-dressing plot, extensive ensemble, and tonal range from melancholy to broad physical comedy, also calls for a movement director or choreographer and likely a dialect or text coach, roles that are worth inquiring about if not yet publicly posted.

With rehearsals beginning in early January 2027, the production timeline gives designers, stage managers, and department leads meaningful runway to plan and prepare. Pre-production work on designs, budgets, and scheduling will almost certainly ramp up well before the holiday season of 2026, meaning conversations with the production team are worth initiating sooner rather than later. The casting process, already in motion, is the leading edge of a broader staffing effort that will touch every corner of the production over the months ahead.

ProductionList.com has the full listing for As You Like It at A Noise Within, including production contacts, office information, and crew details as they are confirmed. If you are a performer, designer, stage manager, or production professional interested in this engagement, the listing is your best starting point for tracking updates and finding the right contact to pursue. Check back regularly as the production moves deeper into pre-production and the full team comes together.

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