One of the most anticipated European art-house productions on the horizon just got a little more concrete. 'Work And Structure,' director Maria Schrader's adaptation of Wolfgang Herrndorf's celebrated autobiographical memoir, is now in active pre-production with principal photography scheduled to begin in early 2027. The project reunites two of German cinema's most internationally recognized names, with Sandra Hüller set to play Herrndorf, a male German writer, as he navigates the final years of his life following a terminal glioblastoma diagnosis in 2010. The cross-gender casting is a deliberate creative choice, and with this particular team behind it, it signals a production built around artistic ambition rather than commercial convention. For crew working in the German-language film space, or those with international co-production experience, this is a project worth getting on your radar immediately.
Maria Schrader is the kind of director whose attachment to a project instantly elevates it. Best known internationally for directing the Emmy-winning Netflix limited series 'Unorthodox,' which she helmed in 2020 and which brought her global recognition, Schrader followed that with 'I'm Your Man' (2021), a German-language romantic science fiction feature that earned a BAFTA nomination for Best Film Not in the English Language. She is writing the screenplay here alongside Jan Schomburg, a German filmmaker and writer known for his own directing work including 'About a Girl' and his long-standing collaboration with Schrader, who directed his script for 'Stefan Zweig: Farewell to Europe' in 2016. Their working relationship is a known quantity, and that kind of established writer-director shorthand tends to produce tightly controlled, writer-driven sets. Sandra Hüller, meanwhile, is coming off what may be the most remarkable two-year run of any European actress in recent memory. Her lead performance in Justine Triet's 'Anatomy of a Fall' won the Palme d'Or at Cannes in 2023 and earned her an Academy Award nomination, while her supporting turn in Jonathan Glazer's 'The Zone of Interest' brought her a second Oscar nomination in the same year. She is, without question, one of the most in-demand performers working in world cinema right now.
The production is anchored by Komplizen Film, the Berlin-based company run by producers Janine Jackowski, Jonas Dornbach, and Maren Ade, who together form one of the most respected production entities in contemporary European cinema. Ade, who also directs, is best known as the filmmaker behind 'Toni Erdmann,' which received an Oscar nomination for Best Foreign Language Film in 2017 and remains one of the defining German films of the past decade. Komplizen has a strong reputation for backing formally ambitious, director-driven work and has cultivated a crew culture known for its collaborative and unhurried approach to pre-production. The co-production lineup here is substantial: Studiocanal, one of Europe's largest studio-distributors, is aboard as both co-producer and worldwide sales agent, with planned releases confirmed in Germany, France, and Italy in 2028. ZDF, the German public broadcaster with a long history of backing prestige cinema, and French indie company Haut et Court round out the financing and co-production structure. This kind of multi-territory European co-production typically signals a mid-to-upper-range art-house budget with the infrastructure to support a professional, union-aligned crew across multiple departments.
Filming locations have not been officially confirmed, but given Komplizen Film's base in Berlin and the subject matter rooted in German literary culture, a Berlin-centric shoot is the most logical expectation. Germany's domestic production infrastructure is robust, with well-established studio facilities including Studio Babelsberg in Potsdam, one of the oldest and largest film studios in the world, and a deep local crew base in both Berlin and the broader Brandenburg region. Germany does not operate a federal film tax incentive in the same way as the UK or Canada, but the German Federal Film Fund (DFFF) and regional funding bodies such as Medienboard Berlin-Brandenburg are standard financing mechanisms for German-language features of this profile, and their involvement often shapes both the location footprint and the expectation of local hiring. Given the French co-production element through Haut et Court, some additional photography in France is also a reasonable possibility, which would open opportunities for French crew as well.
The source material is Herrndorf's real-time blog, which he maintained publicly from his diagnosis in 2010 until his death in 2013 and which was subsequently published as a book titled 'Arbeit und Struktur' (Work and Structure) in Germany. It became a significant literary and cultural event, admired for its unsentimental intelligence and dark humor in the face of terminal illness. Adapting it for a feature film with cross-gender casting is a bold formal decision that suggests a production leaning heavily on performance, intimate cinematography, and a strong art department capable of recreating early-2010s Berlin with period accuracy. The production is expected to be a SAG-AFTRA-adjacent European equivalent, meaning crew should anticipate a professionally structured, union-aligned shoot operating under German and potentially French collective agreements. With a 2028 release window and photography beginning in early 2027, the pre-production timeline suggests that department heads in art, costume, and cinematography are likely being approached now, even at this relatively early stage.
For crew members working in the German-language or broader European production space, 'Work And Structure' represents exactly the kind of project that defines a career highlight reel. Productions at this level, with this caliber of director and cast, do not stay open for long once hiring accelerates. The full listing for 'Work And Structure' on ProductionList.com includes confirmed production company contacts, crew list updates as they become available, and scheduling intelligence as pre-production advances. Bookmark it now, check back regularly, and make your approach early. This one will staff up quickly once it gains momentum heading into late 2026.
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