One of the most beloved action films of the early nineties is coming to television, and the production is far enough out that working professionals have a genuine window to pursue it. AMC and AMC+ have set Point Break as an eight-episode series continuation of Kathryn Bigelow's 1991 cult classic, with principal photography scheduled to begin in Australia in early 2027. The production is currently in pre-production, which means the hiring pipeline is open at the department head level right now. If you have wanted to get on an ambitious, location-heavy action series with serious franchise pedigree, this is the moment to make contact.
Co-showrunners Dave Kalstein and Christopher C. Rogers are steering the project creatively. Kalstein has a long track record in cable drama, perhaps best known for his work on JAG and the legal thriller Rogue, and more recently for developing serialized procedural storytelling for premium cable platforms. Rogers brings complementary experience in action-forward television, and the two are serving as executive producers alongside the rest of the producing team. The series picks up more than three decades after the events of the original film, following a dangerous new heist crew with stylistic and ideological ties to the notorious Ex-Presidents gang. A mysterious ex-pro surfer with a complicated past is recruited by the FBI to infiltrate them from the inside, a premise that preserves the original film's DNA while opening up fresh character territory. No cast has been confirmed publicly at this stage, which means casting is almost certainly underway or will be shortly.
The producing team behind this project carries real weight. Alcon Television Group serves as the lead studio, with AMC Studios and StudioCanal co-producing. Alcon Entertainment, the parent company, is the rights holder to the Point Break IP and has a strong track record of stewarding legacy properties, most notably producing the Blade Runner 2049 feature for Warner Bros. Alcon Television has been steadily building its television slate, and this series represents one of its most high-profile small-screen bets to date. Andrew Kosove and Broderick Johnson, Alcon's co-founders and co-CEOs, are both attached as executive producers, which signals how seriously the company is treating this production internally. Julia Cohen, a seasoned television producer with credits spanning premium drama series, and Ben Roberts round out the producing team. StudioCanal's involvement as co-producer adds a significant international financing and distribution component, which typically has implications for a production's budget ceiling and its appetite for ambitious location work. AMC's attachment places this firmly in the premium cable tier, the same network that built its reputation on Breaking Bad, The Walking Dead, and Better Call Saul.
Australia is the confirmed filming location, and that choice is no accident. The original Point Break was defined by its Southern California coastal aesthetic, and Australian locations offer a comparable surf culture environment with world-class production infrastructure and one of the most attractive location incentive programs in the world. The Australian federal government's Location Offset rebate provides a 16.5 percent tax rebate on qualifying Australian production expenditure for large-budget international productions, and individual states layer additional incentives on top of that. Queensland and New South Wales are the most common bases for international productions of this scale, both offering substantial stage facilities alongside exceptional coastal and urban location options. Queensland in particular has hosted major international productions at Village Roadshow Studios on the Gold Coast, and its surf coastline stretching from Noosa to the Gold Coast would serve this series exceptionally well thematically. Australia has a deep and experienced local crew base, particularly in camera, grip, electric, and locations departments, though productions of this scale typically import some of their above-the-line and senior below-the-line team from the US or UK. Department heads in art, costume, production design, and visual effects supervision are likely to be a mix of local hires and international crew brought in by the showrunners and studio.
As an eight-episode series with international location shooting, a legacy IP, and a multi-studio co-production structure, this is shaping up to be one of the more substantial television productions of early 2027. The action-heavy premise and surf-centric setting will demand a strong stunt department, an experienced locations team with access to coastal permits and water safety coordination, and a production design unit capable of evoking the kinetic, sun-drenched visual identity that made the original film so iconic. The VFX pipeline will also be a significant consideration given the likely surfing, chase, and heist sequences built into the format. Productions of this type routinely staff their stunt coordinator, DP, production designer, VFX supervisor, and locations manager well in advance of cameras rolling, which means those conversations are probably happening now or will be within the next few months, even with a 2027 start date.
ProductionList.com carries the full listing for Point Break, including production company contacts, confirmed crew as they come aboard, and location and scheduling updates as pre-production advances. Given the timeline, this is an ideal moment to bookmark the listing, make sure your representation or direct contacts are in place, and follow the project as it moves through the staffing process. Productions based in Australia also typically post local crew calls through the Australian production community closer to their start date, but getting on the radar early through the right channels is always the more effective play. Check the full listing now and set up an alert so you are first to know when key department positions open up.
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