World Premiere of 'Provenance' Sets Florida Run at Palm Beach Dramaworks and Asolo Rep

A significant new play is heading to Florida's regional theater circuit, and the team behind it is actively casting and building out its creative roster right now. Provenance, the winner of the 2025 Jewish Plays Project, is set for a world premiere co-production between Palm Beach Dramaworks in West Palm Beach and Asolo Repertory Theatre in Sarasota, with the production scheduled to open in November 2026 and run through March 2027. That timeline puts the project well into the future from a calendar standpoint, but in theater terms, the hiring clock for designers, stage managers, and associate artists is already ticking.

The play itself is the kind of material that attracts serious theatrical talent. Provenance traces the life of a single portrait painting from its creation in early twentieth-century Germany through its theft by the Nazis and into the lives of the families shaped by that loss, arriving finally in New Jersey in 2007. The logline alone signals a production that will demand a strong design team capable of spanning a century of settings across two continents. A script built on that kind of structural ambition, one that links intimate domestic stories to the sweep of history, will place significant demands on scenic, lighting, projection, and costume departments. Productions tackling Holocaust-era material with this kind of scope tend to draw top-tier regional talent and generate serious critical attention. No director has been publicly announced yet, but given the prestige of the two producing institutions and the play's prize pedigree, expect that announcement to carry weight when it comes.

Murnane Casting is attached as the casting director, which is a meaningful signal for actors and agents tracking this project. Their involvement confirms that the casting process is formally underway, and talent representation should be taking note. The Jewish Plays Project, which selected Provenance as its 2025 winner, is a nationally recognized development program that identifies and champions new Jewish-themed theatrical work, giving this script both institutional credibility and a built-in audience among Jewish arts communities. The play arrives with genuine developmental history behind it, not as a speculative workshop production but as a fully supported world premiere with two committed producing partners.

Palm Beach Dramaworks and Asolo Repertory Theatre are two of Florida's most respected regional theater institutions, and their co-production arrangement is a strong indicator of the scale and ambition of this project. Palm Beach Dramaworks, based in West Palm Beach, has built a reputation over more than two decades for producing serious, text-driven drama with high production values and a loyal subscriber base drawn from the affluent Palm Beach County community. Asolo Rep, headquartered in Sarasota and affiliated with Florida State University's conservatory program, is one of the largest professional theaters in the southeastern United States and operates on a full LORT (League of Resident Theatres) union contract. That LORT designation matters enormously for working professionals: it means Equity contracts for actors and stage managers, competitive wages, and a structured production environment. Designers and crew working under the co-production umbrella should expect professional-grade agreements consistent with LORT B or LORT C tier, depending on the venue configuration for each engagement.

The production's geographic footprint is entirely within Florida, which simplifies logistics considerably for locally based theater professionals. West Palm Beach has a mature arts infrastructure, and Sarasota has long been one of the most theater-rich mid-sized cities in the country, home to a deep bench of local stage managers, scenic artists, props artisans, and technical staff. That said, a production of this scope will almost certainly bring in out-of-town designers and potentially an out-of-state director, meaning there will be associate and assistant-level positions that could open to local or regional candidates. The two-city structure also means the production will need to think carefully about how the set travels, which could make the scenic and technical direction roles particularly robust in scope.

For a play that spans a century and crosses continents, the design demands are worth thinking through carefully. Scenic designers will need to solve for a world that shifts from Weimar-era Germany to mid-century Europe to late twentieth-century America, all in service of a story centered on a single physical object. Costume, props, and projection are all likely to be significant departments on this one. Stage managers and production managers familiar with LORT co-productions and touring-adjacent logistics will find this a compelling opportunity. With casting underway and production nearly a year and a half away, designers are probably the next wave of hires, followed by the full technical team as the production moves deeper into its pre-production phase.

ProductionList.com maintains a full listing for Provenance with production contacts, venue details for both Palm Beach Dramaworks and Asolo Rep, and scheduling information as it becomes available. If you are a designer, stage manager, or theatrical technician with regional experience in Florida or a background in period or historically grounded productions, this is one to put on your radar now and check back on as the creative team continues to take shape. The full listing is updated as new information is confirmed.

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