Tom Huang's Coming-of-Age Road Trip Feature 'Find Me Again' Sets Oakland and Yosemite Shoot for August 2026

A coming-of-age road trip feature with a grounded emotional core and some genuinely ambitious location work is gearing up for an August start, and crew in California would do well to pay attention now. 'Find Me Again' is currently in casting and pre-production, with cameras scheduled to roll on August 15, 2026, and a production window running through September 6. That is a tight 23-day shoot across multiple distinct environments, which means the production team will need a well-organized, mobile crew capable of moving efficiently between urban and wilderness settings. Casting director Alyssa Carter is already attached and actively working the project, which signals that the hunt for the film's young leads is underway.

The project is written, directed, and executive produced by Tom Huang, who is also carrying producer credits alongside Randy Kulina. Huang's multi-hyphenate role here speaks to the personal nature of the material. The story follows an inner-city Oakland high school senior who convinces her two best friends to take one last road trip together before graduation, tracing a route through Yosemite, Utah, and the Redwoods of Northern California. Along the way, she begins uncovering a mystery tied to her late mother's past, turning what starts as an adventure into a reckoning with grief. The logline positions this squarely in the tradition of character-driven coming-of-age films that prioritize emotional authenticity over spectacle, though the natural locations will demand a cinematographer with a strong eye for landscape work alongside intimate character moments. Producer Randy Kulina's involvement adds production experience to Huang's creative vision, a pairing that tends to keep independent features on schedule and on budget.

The production does not yet have a publicly listed studio or distribution attachment, which places it in the independent feature category. That context matters for crew assessing the opportunity. This is almost certainly a lean, non-studio shoot operating on a focused independent budget, likely seeking crew who thrive in versatile, close-knit environments where roles sometimes overlap and problem-solving on the fly is part of the job. The genre combination, drama, adventure, and coming-of-age road trip, suggests a production that values character and story over technical spectacle, but the location scope demands real logistical muscle.

The filming plan is genuinely ambitious for a 23-day schedule. Production will move across Los Angeles, Oakland, and Yosemite National Park, three locations with very different infrastructure realities. The Los Angeles portion likely covers studio or controlled interior work, leveraging the deep local crew base and stage availability throughout the region. The Oakland stretch is where the film establishes its urban identity, and the Bay Area has a solid, experienced crew community, though productions based primarily in LA sometimes supplement with imports for key positions. Yosemite is where the production gets complicated and exciting in equal measure. Filming inside Yosemite National Park requires coordination with the National Park Service, which issues film permits that can take months to secure and come with strict restrictions on crew size, equipment, vehicles, and shooting locations within the park. Any crew with prior experience on NPS-permitted shoots, particularly in Yosemite Valley, will be a meaningful asset to this production. The logistics of moving gear and personnel through the park, managing weather windows, and working within leave-no-trace requirements will demand a locations department that knows this territory.

For crew assessing fit, the road trip and outdoor adventure elements point toward specific department needs. A cinematographer comfortable shooting handheld in natural light, with experience in both urban environments and national park terrain, will be essential to maintaining visual continuity across such varied settings. The art and costume departments will benefit from a clean, naturalistic approach that serves the story without overwhelming it, but the production will still need thoughtful coverage of three distinct geographic environments. Stunt coordination is likely minimal given the genre, but a strong locations manager who can navigate NPS permitting, Oakland city permits, and LA logistics simultaneously will be one of the most important hires on this show. Given the compressed schedule and multi-state footprint, production coordinators and assistant directors with road-show feature experience will be especially valuable.

With filming still roughly six months out, 'Find Me Again' is at exactly the right moment in its lifecycle for crew outreach. Department heads are the priority hire right now, and with casting underway simultaneously, the timeline for locking below-the-line positions will accelerate quickly once principal cast is confirmed. The full production listing on ProductionList.com includes available contact information, office details, and scheduling updates as they are confirmed. If you have Yosemite location experience, Bay Area crew ties, or a background in independent road-trip features, this is worth adding to your radar today rather than next month.

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