Dark Comedy Feature 'I'm Sorry, Matt 06' Sets Omaha, Nebraska Shoot for Fall 2026

A darkly comic feature film with a sharp, high-concept premise is heading to Omaha, Nebraska this fall, and with casting and pre-production already underway, the hiring window for this project is open now. "I'm Sorry, Matt 06" is currently in pre-production through Red Dog Productions, with cameras scheduled to roll from September 28 through October 23, 2026. That compact four-week shoot window means the crew list will need to come together efficiently, making this a production worth getting in front of sooner rather than later.

The project is written and directed by Gabrielle Christensen, who is also serving as casting director on the film. Christensen shares writing and producing credits with Simon Louis Ong and Graham Dunn, making this a tight, core creative trio that has built the project collaboratively from the ground up. That kind of shared ownership across writing, producing, and directing typically signals a close-knit set with a strong creative vision and a lean, trust-based working environment. Christensen's dual role as director and casting director suggests the production is approaching talent with a very particular sensibility in mind. The logline itself gives a strong read on the tone: when a woman named Kat accidentally kills her estranged mother's latest boyfriend, referred to throughout as "Matt 06," the two must set aside years of family friction and work together to outmaneuver a blackmailer they believe is one of the mother's former partners. It is a crime-comedy premise with real character depth baked in, and the kind of material that tends to attract strong independent film performances.

Red Dog Productions is the production company behind the film. As an independent production company, Red Dog is producing this feature without a major studio or streamer attachment that has been publicly announced at this stage. That positions "I'm Sorry, Matt 06" firmly in the independent feature space, where producers tend to run lean, resourceful crews and department heads often carry significant creative influence. For experienced independent film crew who thrive in that environment, this is a production built around the kind of creative collaboration that makes smaller-budget features rewarding to work on. The project's budget tier has not been disclosed, but the four-week principal photography schedule and Omaha base suggest a focused, well-organized independent production rather than a sprawling studio shoot.

Omaha, Nebraska is the confirmed filming location, and that choice carries real practical significance for working professionals. Nebraska has an established film office and has been growing its production infrastructure steadily over the past several years. The state offers a film production tax incentive through the Nebraska Film Office, which provides qualified productions with a refundable tax credit on Nebraska spending, a program that has increasingly made the state competitive for independent features looking to stretch their budgets. Omaha in particular has a modest but capable local crew base, and productions of this scale typically draw a mix of local Omaha and Lincoln-based crew supplemented by department heads brought in from larger regional markets like Kansas City or Chicago. For crew based in the Midwest, this is a relatively rare opportunity to work on a feature film without relocating. For crew considering a travel job, the cost of living in Omaha is low enough that the day-to-day logistics tend to be favorable.

The production's format is a standalone feature film, not a series, which means the hiring window is finite and the crew size will be calibrated to a single-picture shoot. A sub-30-day principal photography schedule is tight but workable for an independent feature of this type, and it implies that every department will need to hit the ground running. Given the story's blend of domestic interiors, character-driven drama, and presumably some moments of physical comedic chaos, the art department and locations department will have meaningful work to do in establishing the visual world of the film. The casting-focused nature of the current phase also suggests that agents and talent representatives should be tracking this one, as the lead roles for Kat and her mother are clearly central to the project's success and are presumably among the first conversations Christensen is having.

For crew ready to pursue this opportunity directly, the full production listing for "I'm Sorry, Matt 06" is available now on ProductionList.com, where you can find the most current contact information, crew list details, and production office information as they are updated. With filming still several months out, this is the right moment to make contact, not after the schedule locks and the department heads are already deep in prep. Bookmark the listing, check back regularly for updates, and get your introduction in early.

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