A new relationship drama destined for Tubi is quietly building its team in Los Angeles, and with the production now in active casting, crew and talent looking to get ahead of the curve have time on their side. 'Flipping the Script' is a feature film from 1919 Distribution that will shoot on a tight four-day schedule across January 9, 10, 16, and 17 of 2027. The compressed shoot window and early casting activity suggest the production is methodically laying groundwork well in advance, which means the pipeline for key roles, both on camera and behind it, is open right now.
The project is written and executive produced by Tiffany Daniels-Thomas, who also shares casting duties on the film alongside director Derrick Davis Jr. The logline is lean and emotionally loaded: three men and twenty years of friendship are put to the test when one woman delivers a crash course in loyalty, love, and betrayal. It is the kind of character-driven ensemble premise that lives or dies on casting chemistry, which makes the fact that the production is currently in its casting phase particularly significant for actors and their representation. With Daniels-Thomas pulling double duty as writer and producer, the creative vision here is clearly centralized, and the casting process is likely being handled closely and personally rather than through a large agency pipeline.
Derrick Davis Jr. steps into the director's chair on this project. For crew assessing the tone and style of the set, it is worth noting that Davis Jr. is also credited as a casting director on this production, pointing to a creative team that wears multiple hats and likely runs a collaborative, tight-knit set environment. That kind of multi-hyphenate structure is common in independent productions at this budget tier, and it often signals a creative team that values trust and versatility in the people they bring on.
The distribution side of this production is handled by 1919 Distribution, with the film anticipated to land on Tubi. Tubi has become one of the most active destinations for independently produced drama and romance content, particularly films aimed at Black American audiences and the broader urban drama market. The platform, now owned by Fox Corporation, has aggressively expanded its original and acquired content slate in recent years, making it a legitimate and growing destination for this type of relationship drama. For crew evaluating the budget tier, Tubi-bound independent features distributed through companies like 1919 typically operate in the micro-to-low budget range, and while that shapes expectations around pay scale, it also means lean, focused shoots where every department head has real visibility and creative contribution.
Filming is set entirely in Los Angeles, which keeps the production firmly within one of the world's deepest crew markets. LA-based crew will find this a straightforward local shoot with no relocation required. The four-day schedule spread across two weekends in January suggests a carefully budgeted production that is maximizing its days rather than operating on a traditional five-day week. That schedule also implies a focused location strategy, likely utilizing practical interior locations rather than a stage-heavy approach, which makes a strong locations department and a resourceful production designer valuable assets for a shoot of this kind. Los Angeles offers no state-level film tax incentive comparable to Georgia or New Mexico, but the city's unmatched infrastructure, vendor relationships, and local crew depth make it a practical choice for a production of this scale.
With a production start still more than a year and a half out, 'Flipping the Script' is in the early stages of assembly, and the window to connect with this project is wide open. Crew in the Los Angeles market, particularly those with experience on independent drama and romance features, should take note now. ProductionList.com carries the full listing for this production, including contact information, production office details, and crew updates as they are confirmed. Bookmark it, check back regularly, and position yourself early on a project that is quietly but deliberately moving toward cameras.
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