Logan Solana's cross-country revenge thriller is quietly building momentum, and with a production schedule spanning four distinct regions of the United States beginning November 2026, crew professionals across several major filming hubs should be paying close attention right now. ClubHouse Films is currently in pre-production on Coarse, a non-union feature that follows a young man's violent quest for justice after his father is murdered, sending him on a road that cuts through West Texas, Chicago, New Orleans, and eventually Wyoming. Casting is underway, which means the hiring window for key crew and talent is open and active.
Solana carries triple duties on the project as writer, director, and producer, a creative structure that signals a highly personal, vision-driven production. Writer-directors who also produce tend to run lean, decisive sets with a strong authorial point of view, and for crew, that often translates to a tight-knit working environment where versatility is valued. Co-writer Chanse McDuffie collaborated on the screenplay alongside Solana, and together they have crafted what appears to be a genre-rooted, road-movie-inflected revenge narrative with clear commercial instincts. While Solana's previous directorial credits are not widely documented in major trade coverage, the scope of this project, spanning multiple states across three-plus months of principal photography, reflects a genuine and ambitious production undertaking rather than a microbudget experiment.
ClubHouse Films is producing the project alongside casting company Mime Wolf Inn Casting. Casting director Johanna McGinley is attached, a detail that agents and talent representatives will want to note immediately. McGinley's involvement signals an organized, professionally run casting process, and with the production currently listed as actively casting, submissions and outreach are relevant right now. ClubHouse Films operates as an independent production banner, and consistent with many independent features of this type, Coarse is a non-union production, which is important context for crew assessing eligibility and day rate expectations.
The production schedule is sweeping by any standard. Principal photography is set to begin November 1, 2026, with the first leg taking the company through West Texas, Chicago, and New Orleans before a break and a second leg picks up in Wyoming during January and February 2027, wrapping around February 8. Los Angeles also appears among the listed filming locations, suggesting some prep, pickup work, or creative team-based activity may occur there as well. For crew based in any of these regions, the opportunity to work local or near-local days is real. New Orleans in particular is an extremely well-developed production hub, backed by Louisiana's generous film tax incentive program, and boasts a robust local crew base experienced in everything from indie features to major studio productions. The city's infrastructure, including stage facilities, equipment houses, and an established network of location-savvy production professionals, makes it a natural anchor for a road-heavy project of this kind.
Chicago, the second major location in the November block, is equally well-resourced. Illinois has maintained a competitive film tax incentive for years, and the city's crew community is deep across all departments. West Texas, while more logistically demanding in terms of remote shooting, offers the kind of vast, unforgiving landscape that would suit a revenge thriller's visual grammar perfectly. Wyoming, where the crew will return in January, is a less common production destination, which often means local crew resources are thinner and productions may need to bring in more department heads from regional hubs like Denver or Salt Lake City. That said, Wyoming's dramatic terrain, especially in winter, is a compelling and cinematic choice for a film of this genre. Crew with experience shooting in cold-weather, remote environments should take note.
In terms of production scale and crew needs, Coarse carries the hallmarks of a mid-range independent feature. The multi-location, multi-state structure requires a strong locations department and a production coordinator with serious logistical range. The revenge-thriller genre, particularly one built around a physical journey, typically leans on a capable stunt coordinator, a road-show-ready camera department comfortable shooting on the move, and a production designer who can create tonal consistency across wildly different environments. Given the non-union designation and the independent production structure, crew can expect a collaborative atmosphere with a premium placed on resourcefulness and adaptability.
For the full production listing on Coarse, including contact information, office details, department head credits as they are confirmed, and scheduling updates across all five locations, head to ProductionList.com. With cameras scheduled to roll in just over a year and casting actively underway today, this is precisely the kind of project to get in front of early. Add it to your watchlist, reach out to the production team, and check back regularly as the crew list fills in ahead of the November start.
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