Netflix's 'House of Guinness' Season 2 Heads to Dublin and Manchester in January 2027

Steven Knight is returning to 19th-century Ireland. Netflix has confirmed that House of Guinness, the period drama chronicling the Guinness brewing dynasty, is moving into pre-production for its second season, with principal photography scheduled to begin in January 2027. The production will shoot across Dublin, Ireland, and the Manchester area in England, making this a significant opportunity for crew across both locations. With a full season order from Netflix and a creator with Knight's track record, this is one of the more substantial period drama staffing opportunities on the horizon for European-based production professionals.

Steven Knight created, writes, and executive produces the series. Knight is best known as the creator of Peaky Blinders, the Birmingham-set gangster saga that ran for six seasons on BBC and built one of the most devoted fanbases in modern prestige television. He also created the David Beckham documentary series for Netflix and wrote the screenplays for Locke, Eastern Promises, and Dirty Pretty Things, among others. His storytelling instincts run consistently toward morally complex family dynasties navigating power in historical settings, which makes House of Guinness a natural extension of his body of work. Crew who have worked on Peaky Blinders or other Knight productions will recognize the ambition and the density of detail that goes into his period world-building, and should take note of the Dublin and Manchester base.

Directors Tom Shankland and Mounia Akl are both returning from the first season. Shankland is also credited as an executive producer on the series, a dual role that signals significant creative authority and set stability across the run. He is known for his work on The Woman in the Wall, We Are What We Are, and multiple episodes of The Killing and Marcella, and has established himself as a go-to director for atmospheric, tension-driven European drama. Mounia Akl, the Lebanese-French director behind the acclaimed feature Costa Brava, Lebanon, brings an international sensibility and a strong visual language to the project. The returning director pairing suggests a production culture that values continuity, and crew who worked on Season 1 are likely to have an inside track for Season 2 calls. Other executive producers on the project include Elinor Day, Ivana Lowell, Karen Wilson, and Martin Haines.

The series is produced by Kudos and Nebulastar for Netflix. Kudos is one of the UK's most established drama production companies, with credits including Broadchurch, Humans, and Ashes to Ashes. Their reputation with crew is strong, and they have long experience managing large-scale period productions with complex logistical demands. Nebulastar is a newer company but is connected to Knight's production infrastructure, having worked alongside him on other projects. Netflix's involvement as both financier and global distributor places this firmly in the premium tier of prestige television, which typically translates to a well-resourced budget, a full union-rate production environment, and the kind of episode order that sustains long department runs. Season 1 premiered on Netflix in September 2025, and Knight has publicly outlined ambitions to extend the family saga across multiple seasons, potentially tracking the Guinness story all the way into the 1960s.

Dublin is the primary creative home for this production, which makes practical and historical sense given that the series centers on the Guinness family's 1860s Dublin empire. Ireland has developed one of the most competitive tax incentive structures in Europe for film and television, with Section 481 offering a 32 percent tax credit on qualifying Irish expenditure. That incentive, combined with the country's established infrastructure, has made Dublin a reliable base for ambitious period productions in recent years. The city has strong local crew depth across most departments, and Irish Equity and SIPTU-affiliated productions are the norm for Netflix-level shoots based there. The Manchester area component adds a secondary UK base, likely drawing on the region's well-developed production community and proximity to a range of period-appropriate locations and studio facilities. Productions of this scale shooting across two countries often require department heads who are comfortable working across jurisdictions, coordinating logistics between the Irish and UK production offices.

For crew assessing the opportunity: this is a prestige period drama, which means the art department, costume, hair, and makeup departments will carry significant weight and likely require sustained hiring across a full season run. The 19th-century setting, spanning Dublin high society and the political turbulence of the era, signals extensive set construction, location dressing, and period wardrobe work. If Knight's plans to eventually extend the timeline toward the 20th century hold, the production design scope across future seasons could become even more varied. VFX will also be a factor in recreating period Dublin at scale. With a January 2027 start date, senior department heads are likely beginning early conversations now, and crew at every level should be positioning themselves accordingly.

Full production details for House of Guinness Season 2, including production office contacts, crew list updates, and scheduling information as it becomes available, are accessible through ProductionList.com. If you are based in Dublin or Manchester and looking to work on one of Netflix's most ambitious European productions, this is the listing to bookmark and check regularly as the production ramps toward its January cameras-up date.

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