Dear Evan Hansen Heads to The Engeman Theater in Northport This Fall with Rehearsals Starting August 2026

The Engeman Theater in Northport, Long Island is staging a full production of the Tony Award-winning musical Dear Evan Hansen this fall, with rehearsals set to begin August 24, 2026, an opening night of September 10, and a scheduled run through October 25 with a potential extension to November 1. The production is currently in the casting phase, which means performers and theatrical crew who want a shot at this one need to be paying attention right now. Scott Wojcik of Wojcik Casting is attached as casting director, which is a meaningful signal for anyone looking to submit or be considered.

Dear Evan Hansen is one of the defining musicals of the past decade. With a book by Steven Levenson and music and lyrics by Benj Pasek and Justin Paul, the show earned six Tony Awards in 2017 including Best Musical, Best Book, and Best Original Score. Pasek and Paul have since become two of the most in-demand songwriters in both theater and film, earning Academy Award recognition for La La Land and The Greatest Showman. The material is emotionally demanding and vocally intensive, centering on Evan Hansen, a high school senior with social anxiety whose therapist-assigned self-letters set an inadvertent and deeply consequential story in motion. The show also features the ghost of Connor Murphy, a classmate who dies by suicide in Act One, appearing in Evan's imagination throughout the second act. Any production mounting this piece needs performers with serious range and directors who can handle psychologically complex material with care.

Directing this production is Scott Weinstein, a theater director with regional credits across the northeast. Matthew Stern is on board as music director, and Robin Levine will handle choreography. The creative leadership is rounded out by Richard Dolce as executive producer, Jennifer Dolce as director of production, and Vic Di Monda as associate producing director. Chelsea Steinmetz is attached as production stage manager, which means the organizational backbone of the production is already in place. The licensing for this production runs through Music Theatre International, known in the industry as MTI, which handles the rights to a substantial portion of the Broadway musical catalog and is one of the most established theatrical licensing organizations in the business.

The Engeman Theater is a professional regional theater operating under Actors' Equity Association agreements, which matters significantly to performers and stage managers evaluating this opportunity. Located in Northport on the North Shore of Long Island, the venue is well-regarded in the New York metropolitan regional theater circuit. For performers and crew based in New York City or the surrounding tristate area, this is a commutable or short-distance regional engagement. The Engeman has a history of producing recognizable Broadway titles with professional production values, and it operates year-round, meaning the infrastructure and institutional knowledge for running a show of this scale is firmly established there.

Given the musical's emotional and vocal demands, the casting process for a production like this is thorough and deliberate. Scott Wojcik is a highly experienced casting director with deep roots in both Broadway and regional theater, and his involvement signals that the talent search is being taken seriously at every level. Performers well-suited to the leads, ensemble, and supporting roles in Dear Evan Hansen should be actively pursuing this listing. Beyond performers, productions of this scale at regional houses like The Engeman also require musical theater-experienced crew across wardrobe, props, lighting, and sound, as well as stage management support beneath the production stage manager level.

With rehearsals starting in late August and the show opening in early September, this timeline gives the creative team a relatively tight but standard regional theater window to mount a technically and emotionally demanding production. That means hiring decisions across departments are likely to accelerate in the coming months. Whether you are a performer looking to audition, a stage manager seeking an associate or assistant credit, or a theatrical technician looking for a fall engagement in the New York metro area, now is the time to get on the radar. The full listing for this production, including production contacts, scheduling details, and crew information, is available at ProductionList.com, where you can track updates as the production moves deeper into pre-production and casting concludes.

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