Siân Heder to Direct Paramount's 'Tomorrow, And Tomorrow, And Tomorrow' With Boston and LA Shoot Planned for December 2026

Paramount Pictures is moving forward with one of the more anticipated literary adaptations in its pipeline. "Tomorrow, And Tomorrow, And Tomorrow," based on Gabrielle Zevin's bestselling novel of the same name, is currently in development with cameras expected to roll in December 2026. The production is set to film across two cities, Boston and Los Angeles, making it a significant bicoastal opportunity for crew on both coasts. With a major studio behind it, a director fresh off one of the most celebrated films of recent years, and a producing team with a deep track record at Paramount, this one is worth putting on your radar now.

Siân Heder is attached to direct, and that attachment alone signals the creative ambition of this project. Heder broke through in a major way with "CODA" in 2021, the Apple TV+ drama that swept the Academy Awards including Best Picture, Best Director nomination for Heder, and a Best Supporting Actor win for Troy Kotsur. Before that she spent years as a writer and director on "Orange Is the New Black," giving her a deep foundation in character-driven ensemble work. Her sensibility is intimate and emotionally precise, and those qualities align closely with the novel's core themes of friendship, creative obsession, and the strange distances people create between themselves even as they make something together. The screenplay was adapted by Zevin herself, the novel's author, working alongside Mark Bomback, a versatile screenwriter whose credits include the "Dawn of the Planet of the Apes" trilogy, "Logan," and "Unbreakable Kimmy Schmidt." Having Zevin as a co-writer on her own adaptation is a meaningful signal that the production is prioritizing fidelity to the source material's voice.

Casting is in the hands of Bernie Telsey and Adam Caldwell of Telsey and Company, one of the most respected casting offices in film and television. Telsey's credits span Broadway and major studio features, including work on "In the Heights," "Tick, Tick... Boom!" and multiple prestige television series. Their involvement here suggests the production is thinking carefully about its ensemble, which makes sense given that the novel's two central characters, Sam and Sadie, carry nearly every emotional beat of the story. Agents and talent managers should be in early contact with the Telsey office, as casting conversations on a production of this scale typically begin well ahead of the official start date.

The producing team is led by Marty Bowen, Wyck Godfrey, and Isaac Klausner of Temple Hill Entertainment, the production company behind the "Twilight" franchise, the "Maze Runner" series, "The Fault in Our Stars," and "Love, Simon," among many others. Temple Hill has a long-standing relationship with Paramount and a reputation for shepherding ambitious, audience-driven stories with genuine emotional stakes. Their experience adapting beloved novels for theatrical release is directly applicable here. Paramount Pictures is financing and distributing, which puts this firmly in the studio feature tier with a corresponding budget and crew scale. A Line Producer is already attached in Caroline Jaczko, a meaningful signal that the production's logistical groundwork is beginning to take shape even at this early stage.

The dual-city footprint is one of the most practically important details for working crew. Boston serves as a key filming location, likely reflecting the novel's Cambridge and Boston settings where Sam and Sadie first meet as children in a hospital and later reconnect through the Massachusetts Institute of Technology milieu. Massachusetts offers a competitive production tax credit of up to 25 percent on qualified expenses, which makes the state increasingly attractive for studio features of this scale. Boston has a solid local crew base, particularly strong in locations, production support, and art department, though larger productions often import some department heads from New York. Los Angeles shooting will almost certainly cover the video game industry sequences set in California, and local IATSE crew will be central to those legs of the production. Given the 1990s and early 2000s period setting, expect the art department and costume department to be substantial, with significant work required to recreate the visual world of that era authentically.

The novel's subject matter, the rising video game industry across a roughly 30-year span, also raises the likelihood of a meaningful VFX component. Recreating in-game visuals, period-accurate digital environments, and the evolving aesthetics of video game culture from the early 1990s through the mid-2000s will require a VFX pipeline with both creative vision and technical range. Productions depicting the making of games face a unique design challenge, and expect that department to be an early and significant hire. The period scope will also place demands on the hair and makeup department, given the breadth of the timeline. This is, in short, a production that will need strong department heads across nearly every discipline.

With a December 2026 start still roughly a year away, the production is in its early development phase and major crew hires are not expected to move quickly in the immediate term. That said, productions of this scope typically begin locking in key department heads six to nine months ahead of cameras rolling, which means conversations will likely begin in earnest by mid-2026. Now is the time to get familiar with the project, track its progress, and make the right connections. ProductionList.com has the full listing for "Tomorrow, And Tomorrow, And Tomorrow" including production company contacts, the current crew roster, and location details. Bookmark it, check back regularly, and be ready when the hiring window opens.

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