Netflix Comedy 'A Hundred Percent' From Nick Kroll and Gabe Liedman Sets Los Angeles Shoot for Summer 2026

Netflix has a sharp-edged half-hour comedy in active development that Los Angeles-based crew should be circling right now. "A Hundred Percent" is scheduled to begin principal photography in Los Angeles on June 24, 2026, wrapping August 7, giving it a tight but focused six-week production window. With Nick Kroll and Gabe Liedman writing, a murderers' row of comedy talent already attached to star, and a director with real indie-to-streaming credentials behind the camera, this one has the hallmarks of a prestige comedy that punches well above its episode runtime.

Kroll, best known as the co-creator and star of "The League" and the voice of multiple characters in his own Netflix animated hit "Big Mouth," brings a sensibility perfectly calibrated for a show skewering the self-optimization industrial complex. His co-writer Gabe Liedman is a seasoned comedy writer whose credits span "Brooklyn Nine-Nine," "PEN15," and "Reboot," and who has a particular gift for satirizing modern neuroses without losing warmth. Together they are a formidable room, and the logline, friends grinding away at the thought-leader hustle while their actual lives quietly collapse, feels timely in a way that suggests the script has real teeth. In front of the camera, Sam Richardson ("Veep," "Ted Lasso," "The Tomorrow War"), Jason Mantzoukas ("The League," "Brooklyn Nine-Nine," "John Wick: Chapter 3"), and Vanessa Bayer ("Saturday Night Live," "I Love That for You") form an ensemble that any comedy fan will immediately recognize as something special. Richardson's hangdog likability, Mantzoukas's unhinged energy, and Bayer's gift for finding the humanity in delusion make this trio almost absurdly well-suited to the premise.

Directing is Bill Benz, whose feature work includes "Good Time" collaborations and whose name is frequently associated with the kind of kinetic, character-driven storytelling that translates well to streaming comedy. The cinematographer attached is Jim Frohna, a significant hire whose long partnership with writer-director Miranda July ("Me and You and Everyone We Know," "The Future," "Kajillerie") and work on "Transparent" signals a visual approach that will likely prioritize naturalism and intimacy over glossy sitcom aesthetics. That combination of Frohna behind the lens and a cast this strong suggests a production that wants to feel lived-in rather than packaged, which should inform how crews approach the project in terms of shooting style and pace.

The production is set up under Nice Try alongside Netflix Productions, LLC. Nice Try is the production company associated with producer Max Joseph, the filmmaker and former co-host of MTV's "Catfish" who has been building out his narrative production slate. Alex Plapinger is also producing. Netflix's involvement as both a production entity and the likely home platform places this squarely in the streamer's growing half-hour comedy vertical, which has seen strong investment in recent years across shows like "Never Have I Ever," "That '90s Show," and "Mo." For crew, Netflix's production arm typically means a fully unionized set with competitive rates and a professional infrastructure, and a six-week Los Angeles shoot keeps things lean and logistically manageable.

Los Angeles is doing what it does best here: serving as both the filming location and the spiritual setting for a show about people who have turned their personal brands into full-time jobs. Production will be based in LA, meaning local crew will be well-positioned to staff up without relocation. The city's deep comedy production infrastructure, stages, tested crews, and proximity to the talent all make it a natural fit. Line Producer Erin Owens and Production Manager Giselle Junco are already attached, which signals that the production infrastructure is being assembled now, well ahead of the June cameras-up date. With those roles filled, the next wave of hires will be department heads across camera, art, costume, hair and makeup, and locations, and those conversations are likely beginning in early 2026 if not sooner.

A half-hour comedy with this cast and creative team filming entirely in Los Angeles over six weeks represents a concentrated, high-profile opportunity for local crew. The combination of a satirical premise with real cultural currency, a writer-producer team with genuine comedy pedigree, and Netflix money behind it suggests this production will move efficiently and professionally. Crew looking to get ahead of staffing should check the full production listing on ProductionList.com now, where the complete crew roster, production office contacts, and scheduling details are available and updated as new hires come on board. With principal photography still roughly six months out, there is real runway to make contact through the right channels before key roles are locked.

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