Theatre For Young Audiences at 92NY Stages Musical 'Red Riding Hood' This Fall, Casting Now in New York

Theatre For Young Audiences at 92NY is gearing up for a charming fall production of "Red Riding Hood," a new musical aimed at young audiences, with rehearsals set to begin September 8, 2026, and performances running September 26 through October 25 at the 92nd Street Y in New York City. The production is actively in casting right now, which means performers, stage managers, and production staff looking to work this fall have a genuine window to get in front of the right people before slots are filled.

Megan Doyle serves as both Producing Artistic Director and Director/Choreographer on the project, making her the creative center of gravity for this production. Doyle is a longtime figure in New York's Theatre for Young Audiences space, and her dual role here signals a tightly unified creative vision between the direction and the movement. Jeffrey Sanzel collaborates with Doyle on the adaptation, with book and lyrics by Polly Hilton and an original score composed by Kevin F. Story. The production features what is described as an original score and songs, which means this is not a licensing of an existing property but a fully realized new musical, the kind of project that tends to attract performers eager to originate material. Associate Choreographer Chelsey Storteboom rounds out the choreographic team, a key hire for a dance-driven show where, as the description makes clear, dancers are central to bringing the story to life.

Theatre For Young Audiences at 92NY operates under the umbrella of the 92nd Street Y, one of New York's most storied cultural institutions. The 92NY has long maintained a robust performing arts calendar and its TYA program is specifically dedicated to producing high-quality theatrical work for children and families. This is not a fringe or showcase production. The 92NY's resources, physical venue, and institutional reputation place this squarely in the professional New York theater landscape, with an audience base that the organization actively cultivates through its education and community programming. Bombshell Casting Co. is listed as a co-producing entity alongside the theater, signaling a collaborative production model that brings additional casting infrastructure to the project.

Casting is being handled by Cassandra Leigh Maguire, CSA, of Bombshell Casting Co., a name worth noting for performers and their representatives. Maguire's CSA designation marks her as a member of the Casting Society of America, and Bombshell Casting has developed a reputation for working across theatrical and new media projects in the New York market. Agents and managers with clients right for this material should be reaching out to Bombshell Casting now, given that casting is already underway and the rehearsal period opens in early September. The show runs 45 minutes, which is standard for TYA programming and typically means a lean, versatile cast capable of carrying the energy of a young audience for the full duration without intermission.

The production films entirely at the 92NY's theatre space in New York City, which simplifies the logistics picture considerably for local talent. No travel, no distant location shoot, no relocation stipends to negotiate. This is a New York City job, full stop, which is good news for the dense pool of professional performers and production staff based in the five boroughs and surrounding metro area. The rehearsal period from September 8 through the September 26 opening gives the creative team roughly three weeks of rehearsal before the show goes up, a compressed but workable timeline for a 45-minute piece with a focused story and a clear creative vision already in place. Performances run through October 25, giving the production a solid four-week run. For stage managers, production coordinators, wardrobe supervisors, and props coordinators, the scope here is intimate but the professional context is real.

In terms of crew needs, a musical production of this nature and scale typically requires a stage manager and at least one assistant stage manager, a musical director or conductor to oversee Story's original score in performance, a scenic designer, a lighting designer, a sound designer capable of mixing live performance in a children's theater context, and a costume designer who can create work visually rich enough to bring a fairy tale world to life for young eyes. Props will matter here too, given the cake at the center of the plot. None of these positions have been publicly announced, which means that for many of these roles, the hiring conversation is either just beginning or about to begin.

For the full production listing, including contact information, office details, and the complete crew roster as it comes together, head to ProductionList.com and search "Red Riding Hood" under Theater productions. If you are a performer, this is the moment to get your materials to Bombshell Casting. If you are a designer or stage manager looking for fall work in New York, this listing is worth bookmarking and checking regularly as the production moves deeper into pre-production over the coming months.

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