Kent Moran's Thriller 'The One' Sets Greenwich, CT Shoot for Spring 2026 Under Wishing Well Pictures

Wishing Well Pictures is moving forward with "The One," a romantic thriller written, directed, and produced by Kent Moran, with cameras set to roll in Greenwich, Connecticut from May 26 through June 16, 2026. The production is currently in pre-production and actively casting, which means the hiring window for crew and talent is open now, well ahead of the late-spring start. For professionals in the Northeast looking to line up a feature film for their spring slate, this one is worth tracking closely.

Kent Moran is the driving creative force behind the project, taking on quadruple duty as writer, director, producer, and casting director. Moran is the founder of Wishing Well Pictures and has built a quietly impressive track record as a multi-hyphenate indie filmmaker whose work has found broad commercial distribution across major platforms. His previous features have landed deals with Lifetime, Lifetime Movie Network, Hallmark, Netflix, Paramount+, Showtime, Amazon, Hulu, Warner Bros., and Regal Cinemas, a distribution footprint that speaks to his ability to package and sell independent content at a commercial level. That kind of reach, achieved outside the traditional studio system, is a meaningful signal about the professionalism and marketability of the operation. Joining him as producers are Kat Moran and Angela Ostermeier, both of whom are part of the established Wishing Well Pictures team.

The screenplay for "The One" has already earned notable recognition in the screenwriting community. It currently ranks in the top 2% on CoverFly and has accumulated eight finalist awards along with multiple months on the CoverFly RED List, a curated shortlist of the platform's highest-rated scripts that industry professionals actively monitor for acquisition and development. For crew evaluating whether a project has legitimate creative momentum behind it, that kind of script-level validation is a useful indicator that the material has been vetted by industry readers beyond the producing team itself.

The story follows Jackie, a woman who ends a new romance only to discover that her ex, Colt, believes she is his soulmate and will go to terrifying lengths to hold onto her. It is a contained, character-driven thriller in the vein of the suspense-driven content that performs reliably well on Lifetime, LMN, and Hallmark Movies and Mysteries, the very platforms that have historically distributed Wishing Well Pictures titles. Distribution for this film is listed as TBD, but the genre alignment with Moran's prior distribution relationships makes a similar landing spot a reasonable expectation.

Filming will take place entirely in Greenwich, Connecticut, a detail worth noting for Northeast-based crew. Greenwich is a wealthy Fairfield County community situated just over the New York state line, approximately 35 miles from Midtown Manhattan. Productions shooting in Connecticut benefit from the state's Film and Digital Media Production Tax Credit, which offers a transferable credit of up to 30% on qualified production expenses, one of the more competitive incentive structures in the Northeast corridor. Greenwich itself offers a range of production-friendly locations, from upscale residential neighborhoods and waterfront estates to manicured downtown streetscapes, all of which suit the romantic thriller aesthetic this project calls for. The region draws on both the New York City crew base and Connecticut's own growing local production community, and a three-week feature of this scale would likely pull from both. Department heads with ties to either market should take note.

The shoot is compact at just over three weeks, May 26 through June 16, which points to a lean, efficient production model consistent with Wishing Well Pictures' independent approach. A schedule of that length on a single-location feature suggests a tight day count and a streamlined crew structure, likely IATSE-adjacent or a hybrid model depending on final budget classification. The genre calls for a capable production designer who can contrast domestic warmth with creeping dread, and the thriller elements may require coordination with a stunt department or second unit depending on how the script's more dangerous sequences are staged. Given that casting is actively underway and production is still roughly a year out, department head conversations are likely in early stages now, with formal offers and deals expected to accelerate in late 2025 and into early 2026.

For the full listing on "The One," including production office contacts, crew roster updates, and scheduling details as they are confirmed, head to ProductionList.com. With the production actively casting and pre-production underway, this is the moment to get your name in front of the Wishing Well Pictures team, not after cameras roll. Bookmark the listing and check back regularly as the production moves through its staffing phases ahead of the May 2026 start.

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