A coming-of-age heist film rooted in real campus mythology is gearing up for a weekend shoot across Los Angeles this September, and crew looking for a fun, character-driven indie feature should take note now. "Yolklore" is currently in pre-production and actively casting, with cameras expected to roll on weekends beginning September 12, 2026 and wrapping October 17, 2026. The project centers on a group of college students competing to steal the legendary Biola Egg, a tradition tied to Biola University in La Mirada, California, and uses that high-stakes campus chase as a lens for exploring the difference between fitting in and genuinely belonging. It is a compact but spirited production, and the kind of project where a tight, committed crew can do some of their most creative work.
The film is written and directed by Seif Abaskhairon, who is also serving as a producer on the project. Writer-directors who shepherd their own material through production tend to run sets with a strong creative vision and a personal investment in every scene, which typically translates to a collaborative atmosphere for crew who are aligned with that sensibility. Abaskhairon's dual role as both storyteller and producer suggests a hands-on approach to the filmmaking process. Joining him as producer is Kaitlyn Schubert, and Elizabeth Kurtz is pulling double duty as both producer and stunt coordinator, a combination that signals the production has practical stunt work baked into its action-oriented heist sequences and that the logistics around those moments are being handled by someone already embedded in the production's leadership. Casting is being overseen by casting director Elizabeth Doan, whose involvement at this stage confirms the project is actively moving through talent attachment and that crew conversations are likely running in parallel.
"Yolklore" is an independent feature production, and based on its current profile it appears to be a lower-to-mid-budget indie with a focused shooting schedule designed around weekends over a five-week span. That kind of compressed, weekend-only structure is common in independent filmmaking when a core creative team has day-job commitments or when the production is working creatively around location availability, particularly on an active university campus. The weekend schedule also suggests a lean, efficient crew model rather than a large departmental hierarchy, which means the people who do come on board will likely wear multiple hats and have a meaningful impact on the finished film.
Filming is set to take place in Los Angeles, California, with Biola University's campus in La Mirada serving as the probable primary location given that the film's central mythology is literally built around a real Biola tradition. La Mirada sits in the southeast corner of Los Angeles County, roughly 20 miles from downtown, and Biola's campus offers a self-contained, visually distinct environment that production designers and location managers will find genuinely useful. Los Angeles as a base means access to one of the deepest local crew pools in the world, a robust vendor and equipment rental infrastructure, and no shortage of support services for an independent production. California does not offer the same level of tax incentive competitiveness as Georgia or New Mexico, but the California Film Commission does administer a tax credit program, and productions shooting on a university campus may find additional cost efficiencies through institutional agreements. For local Los Angeles crew, this is a convenient opportunity without relocation.
The heist format, even on an indie scale, implies some specific department needs worth flagging. With Elizabeth Kurtz serving as stunt coordinator, there will be stunt-related logistics to coordinate, meaning assistant directors and second unit personnel should pay attention to this one. The campus setting and the coming-of-age genre suggest the costume and hair-and-makeup departments will be working with a younger ensemble cast, likely requiring a naturalistic but carefully considered approach to character differentiation. The locations department will have a clear anchor in the Biola campus but may be scouting additional Los Angeles area locations to fill out the story's world. Given the weekend-only schedule, production coordinators and ADs with experience managing non-traditional shoot weeks will be especially valuable to this team.
For the full production listing including contact information, production office details, crew list, and scheduling updates as they are confirmed, head to ProductionList.com and search "Yolklore." The project is in active pre-production right now, which means the window to get in front of the right people is open. Crew who reach out early, particularly those with indie feature experience and flexibility around a weekend shoot schedule, are best positioned to land a spot on this one. Bookmark the listing and check back as the September start date approaches and the production picture fills in.
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